Nic Dartnell: An Exploration of Liberation, Absurdity and Energy

18th August 2009, Judy Darley

With his leather jacket, shades and cruiser motorcycle, painter/photographer Nic Dartnell is as comfortable with the rock and roll scene as he is with the visual arts community. It might seem fitting then that Nic’s first commercial success came when he created the cover art for the 1970 album of legendary supergroup Emerson, Lake & Palmer.

Nic Dartnell: An Exploration of Liberation, Absurdity and Energy

“I was 18 years old, working in a record shop in Edinburgh. At that time in my life, my major passions were painting and rock music, so I sent off the artwork to Island records. I didn’t know who ELP were, but apparently they liked it and it became the bird image on their debut album.”
 
Nic was born in Northampton, spent his childhood in Malaysia and lived in Hackney, London, before moving to south Bristol in 2002. Throughout his career, he has been intrigued by images that encapsulate aspects of various cultures. In the early 1990s he produced a series of intricate images of individual African and Asian children, called Children of the Future. Later he made a series of five paintings for a book about Jimmy Hendrix. In pursuit of more traditional cultural icons, Nic became interested in the Navajo people and spent a lot of time travelling in North America to study the art of Navajo sand- paintings. His research culminated in the creation of a full sized sand-painting on the floor of the Grant Bradley Gallery in Bristol in 2008.
 
Nic’s most recent project has been a series of works examining the transformative powers of carnival. Using video footage to try to catch the essence of the Notting Hill Carnival, he has produced a series of lustrous works of art focusing on the visitors and performer at the vibrant street party.
 
In a departure from Nic’s detailed signature style, the images are made up of manipulated video stills transformed into oil paintings to create pictures that glow with life and a palpable sense of movement evoking the spirit of the carnival.
 
“I wanted to capture something about what draws people to an event like this, so I looked for images of people that reflected something about who they were and what they were feeling,” Nic says. “Carnival is all about liberation, absurdity and energy. It’s a chance to turn the world on its head, to revel in the sense of freedom and really celebrate the joy of life.”
 
Nic Dartnell’s Carnival exhibition will be shown at the Grant Bradley Gallery Number One St Peter's Court, Bedminster Parade, Bristol BS3 4AQ, from September 3rd-October 3rd 2009 – details at www.grantbradleygallery.co.uk
 

Judy Darley is a freelance writer and editor based in Bristol. She is the founder and editor of EssentialWriters.com, a website for writers, by writers.
.

What do you think?

Whether you love this feature or reckon we're talking a load of old cobblers have your say here. Your comment will take up to 48 hours to appear - just so we can weed out the spammers.

  • E.g. John, or BlueFrog
  • Your email will not be shown with your comment.
  • Please keep this relevant.
We'd like to invite you to join Open's VIP community. You'll receive a weekly newsletter; entry into competitions and exclusive access to forthcoming events. Tick the box if you agree.
Get the newsletter

Other articles in this section

  1. Royal Academy of Arts, Summer Exhibition
    18th July, 2010
  2. Ernesto Neto - The Edges of the World
    04th July, 2010
  3. Exposed – Voyeurism, Surveillance and the Camera,
    08th June, 2010
  4. Paul Nash: The Elements
    13th April, 2010
  5. Skin Deep
    26th March, 2010
  6. Time Reversal - Alice Anderson
    16th March, 2010

For a complete list of past articles, view our archive